Fashion Studio M.Zondag

Into The Unknown

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more suspension experiments, the bodice being used as a temporary understructure is the almost complete bodice being used in my knitwear look. 

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This is the beginning of the experiments with the suspension ropes, the whole idea of the collection is to have these abstractly formed coats be connected to corset understructure by ropes ( the materials of which I’m still playing with, thinking of combining fishing line, rope/yarns and beaded threads, making it look almost organic) so when the coat is taken off or parts of the coat are slipped off like half the coat or a sleeve or perhaps a panel falls off, these are suspended in the moment by these ropes, these cords, I almost invision them as these organic threads like in the womb or organic structures that tie these two structural aspects together. 

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experimenting with coat shapes using actual painting canvas. Trying to realize very abstract shapes, the kinds I collaged in my sketchbook very very geometric and angular, and the canvas formed curves along with the geometric, trying to realize the two together to come up with shapes ands silhouettes that aren’t distinguishable as “oh thats a jacket with sleeves and a lapel and some flippy skirt thing” I always have trouble with silhouettes, trying to innovate new shapes, which is one of the goals for this collection, to come up with truly new and experimental abstract coats. 

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3D explorations with sheets of acetate on the form, trying to work out what glass could look like on the form by using clear moldable plastics. Possibly to be used on the interior corsets of the looks, organic glass structures growing out of the corsets and then possibly realized in moldable plastics. If that idea doesn’t work out for this particular collection, possibly it could be worked into my dance collection, designing costumes for a ballet, moldable plastic in lieu of glass for movement purposes.